Marco
Berger's two films, his debut feature Plan B (2009), followed by Absent
(Ausente), are being released this week by Network Releasing as part
of their excellent Made In... series.
In
Absent, his most recent feature (2011), a drama depicting the complex
relationship formed between Martín, a 16 year old boy in Buenos
Aires (Javier de Pietro), and Sebastián (Carlos Echevarría, a well
known Argentinian actor), his sport male teacher, in an out of school
swimming club, Marco Berger explores the teenager's sexuality,
expressed in his crush for the sport coach, and the developing and
complex feelings that Sebastián has for the boy, which goes from
questioning and brow raising at the beginning, as he is followed
everywhere by his eyes, to anger, as he realized that the injury to
the eye that Martín claimed to have suffered while being in the
pool, which led to a trip to the eye clinic, was no more than a ruse
to get closer to him, to test his reactions, as was the subsequent
inability to get back to his home, after a series of excuses. As a
result of them, Sebastián lodges the boy for one night in his
apartment, as he is not prepared to leave him in the street, although
he feels uneasy about it because of the impact it could have in his
career, in his relationship with his girlfriend Mariana (Antonella
Costa, who has been defined by Marco Berger as the “actress of her
generation”), and his reputation in the neighbourhood where he
lives.
During
his stay at Sebastián home, and unknown to him as he sleeps, Martín
sensually caresses him, expressing his own feelings by this act. On
his part, Sebastián is not entirely sure how to handle the young
boy, and the reactions he is getting from his neighbours and the
gardener, as they both leave the apartment block in the following
morning. Once in the school, in the gossips of the rest room, he
learns that the police had been making enquiries, as a student did
not go home the previous night, his parents being in utter despair.
Sebastián, realizing that the student is Martín, feels extremely
uneasy, and keeps his head down. However, when he later on finds the
boy lurking around his car, confronts him and expresses his anger,
accusing him of lying, and culminating in a slap to his face. We are
here into Mamet's territory, as the power relationship between
student and teacher switches in favour of the former.
Meanwhile,
Martín, with his obsession for Sebastián, does not realize that he
is, in turn, the object of affection from Analía (Rocío Pavón), a
girl of his own age with whom he has been a friend since both of them
were little kids. She, not being aware of the course that the
development of Martín's sexuality is taking, insists in hanging on
with him. We are now in the territory of complex, ambiguous and
forming feelings and identities that the youngsters are developing.
Marco Berger certainly has that magic touch of celebrating the
complexity, and beauty, of these feelings in just a few frames.
The
relationship between Sebastián and Mariana progressively gets more
distant and fragile as he struggles with his own feelings towards
Martín as time flows, culminating in the final scene where he
finally declares his love for the boy, who, at that point, is no
longer able to reciprocate.
During
the shooting of Absent, Carlos Echevarría (Sebastián) found
difficult to film scenes which were apparently easy, while in others,
which were supposed to be more difficult, such as the final one, when
he meets Martín for the last time, in his imagination, after he
breaks into the swimming pool, he just sailed through. Javier De
Pietro, a young performer just out of Acting School, is very
convincing as Martín, while Antonella Costa (Mariana) adds that bit
of glamour.
Absent
is certainly a more mature, and ambiguous, work than Berger's debut
feature, Plan B, a comedy of sexual manners, a ménage à trois,
where the path that the two male protagonists, Bruno (Manuel Vignau)
and Pablo (Lucas Ferraro) is marked from the very beginning, the
question is not being when the pair are going to get together rather
than if, ditching on the way the third participant of this
arrangement, Laura (Mercedes Quinteros). In Absent, Berger's
treatment of the subject, of the development of male sexuality, is
more subtle, almost every scene ending in a cliff edge, myself not
being entirely sure what was going to happen next. Plan B is much
more straightforward: Laura has ditched Bruno, as she thinks he is,
frankly, an idiot, in favour of a photographer, Pablo, whom she
considers to be more serious. Yet, she still occasionally sleeps with
Bruno.
Oh
the life of this young Buenos Aires people!
Bruno,
then, with the advice of his friend Victor (Damián Canduci), decides
to put plan B into action, which consists in befriending Pablo, in
making him fall for him, abandoning Laura, so that he can reclaim
her. However, plan B fails, as most of them do anyway, as he also
falls for Pablo, after being taunted in parties by a free spirit
girl, Ana (Ana Lucía Antony). The result of all this is that Laura
get ditched by both men, who end up as a couple. Mercedes Quinteros'
performance as Laura conveys the idea of a strong and free spirited
woman who can take these actions in the chin, as Mercedes says in an
excellent interview contained in the extra features of the DVD, she
is not the one who we can pity her with the words. Oh poor girl she
is not.
The
score for Absent is just brilliant, almost being a complete work by
itself, embodying the complex emotions that are visually expressed in
the film, being created by the young Argentinian composer Pedro
Irusta, whom Berger met at University. Irusta also composed the score
for one of Berger's shorts, Reloj (Clock).
Both
films are well paced, particularly in Plan B Berger uses shots of
buildings, or fragments of buildings, to let the comedy “breathe”
between key scenes, and also conveying the background of the urban
life of a metropolis such as Buenos Aires, which is essential for
these stories of urbanites, and their life styles.
Both
Absent and Plan B explore the theme of the development of male
sexuality towards other males, they are not gay films as such, but
works that convey how heterosexual men can become entangled in
homosexual relationships. Because of this approach, Berger has
refused to submit them to Gay and Lesbian Film Festivals, as he does
not think them as Gay films. They are not, certainly, militant works.
Marco
Berger represents, perhaps, a new generation of Argentinian film
makers, as he writes, directs and edits his own films, the three
fundamental pillars of auteur cinema. Overall, he keeps to the
scripts he had written, with very few changes made during shooting,
mostly minor, if at all. He is currently in the preproduction stages
for his third film, the first one where he will have a female
protagonist. I would not say that he is actually enjoying to be mixed
up with the Argentinian arts bureaucracy, a novel experience for him,
but, certainly, coping with it.
With
thanks to Marco Berger for agreeing to be interviewed.
Made
In Argentina: Absent and Plan B DVD set, is on sale in Britain
courtesy of Network Releasing.
ABSENT
(AUSENTE)
The
second feature by Argentinean director Marco Berger, is a
psychological thriller. A provocative twist on a familiar scenario –
it explores the complex relationship between a teenage boy’s
obsession for his sports teacher - played out in an
atmosphere of escalating sexual tension and menace. When Martin hurts
his eye during a swimming class, his instructor, Sebastian, takes him
to hospital. On leaving, Sebastian offers Martin a lift home but, as
Martin had arranged to spend the night at a friend’s house, there
will be no-one expecting him. He insists it would be better to spend
the night with Sebastian. As Sebastian takes charge of the student,
he is dangerouslyunaware of the boy’s true intentions: that Martin
has engineered the entire situation in order to stay at his
instructor’s home…
CAST:
Carlos Echevarria and Javier de Pietro
Special
Features on MADE IN ARGENTINA – TWO FILMS BY
MARCO BERGER:
- The making of PLAN B
- English interviews
- Una Ultima Voluntad (A Last Wish) – short film
- Deleted Scenes
- Image Gallery
This
film is included in MADE IN ARGENTINA - TWO
FILMS BY MARCO BERGER and available separately.
PLAN
B
Bruno
is dumped by his girlfriend. Behind a calm, indifferent exterior, his
mind plots a cold, sweet vengeance. She, a modern girl, continues to
see him once in a while, but has another boyfriend –
Pablo. Bruno becomes Pablo’s friend, with the idea of eroding the
couple, perhaps introducing him to another woman. But, along the way,
the possibility of a Plan B arises. It may be a more effective one –
and it is also one which will put his own sexuality into question,
taking him into the secret, unexplored places of his own heart.
Set in Buenos
Aires, this witty, beguiling feature masquerades as a familiar
romantic comedy, only toconfound expectations by testing the
boundaries of gender and social demarcations. PLAN B is Marco
Berger’s first feature film.
CAST:
Manuel Vignau and Lucas Ferraro